Photo: Laura Fenton
Ever since he came into the public eye in the 90s, Damien Hirst has been an art world bad boy. Hirst is best known for his formaldehyde-preserved dead animals and other provocative works that address the question of art as a commodity.
Among the less controversial of the works in his oeuvre are his "Spot" paintings, which are white canvases covered in a rigorous grid of uniformly-sized, colored dots. I know there are layers of meaning to these works, but on a purely surface level, I've always thought they were sort of fun and pleasant to look at.
Gelsemine, 2006 from the "Spot" series. Photo: Prudence Cuming Associates Ltd./White Cube Gallery
Instead of meticulously painting dots onto a canvas, I cut circles out of brightly colored paper. (To make uniform circles, I traced the bottom of a juice glass.)
Then I lightly marked a grid onto the wall with a ruler and t-square. With my grid marked, I simply taped the paper circles into place with double-stick tape. Afterwards, I erased any visible pencil marks. The whole project took a couple of hours, as I was extremely careful with my circle cut-outs and grid marking.








